Edward d ancona biography of michaels

Share an image of the Artist. Type an artist name above or browse by artist last name: a b c d e f g h i j k l m n o p q r s t u v w x y z Search by: Recent Auctions Art for Sale Advanced Artist Search. Whoa, you've got an older browser! Or, we've got a glitch For a better experience, we recommend a newer browser. Ok, hide this. Edward DAncona is known for Pin-up girl illustration.

Sales Stats.

Edward d ancona biography of michaels

All Rights Reserved. Digital copying of these images and content strictly prohibited; violators will be subject to the law including the Digital Millennium Copyright Act. Facts about Edward D'Ancona. Biographies Publications Keywords. An image of Edward D'Ancona. Belle with a New Ring. Pin-Up in a Row Boat. Previous Next. Edward D'Ancona was a prolific pin-up artist who produced hundreds of enjoyable images.

However almost nothing is known about his background. It is assumed he is American. He sometimes signed his paintings with the name "D'Amarie", but his real name appears on numerous calendar prints published from the mid s through to the mid s, and perhaps as late as For non-paying users, good news! Full text bios for all artists are available every Friday.

If you are not currently a member, please See Details about membership. Elvgren was a commercial success. In addition, during the s and s he illustrated stories for a host of magazines, such as The Saturday Evening Post and Good Housekeeping. He died on February 29, Greg Hildebrandt - Gregory and Timothy Hildebrandt are among the best known illustrators in the world.

Urshurak, a fantasy epic novel, written and illustrated by The Brothers Hildebrandt, is an original, graphically dazzling story which has been called, "a fantasy of the richest sort," by Publisher's Weekly Urshurak is appearing on best-seller lists everywhere. But, most of all, Greg and Tim are known for their marvelous paintings created for J.

Tolkein's "Lord of the Rings" and "The Hobbit". This series of forty-two masterpieces has appeared in three large wall calendars, a desk calendar, and finally in a book entitled The Art of the Brothers Hlldebrandt The calendars have become collector's items and are in demand from Japan to Jamaica. The appeal of these paintings transcends all categories.

The fantastic images have the power to delight anyone with a sense of wonder. The Tolkein paintings: showers of light, storms of darkness, dancing fires, dreaming rivers, find their roots in a myriad of sources. Certainly elements of the old masters, especially Tintoretto, Bruegel, Bosch, and even Vermeer, can be seen. But, it was the story-telling paintings of the turn of the century illustrators, Howard Pyle, N.

Wyeth, and Maxtield Parrish, that influenced them the most. Greg and Tim consider themselves story-tellers, first and foremost. It is no accident that their artworks have a filmic quality The discerning viewer will find traces of Walt Disney's Fantasia. Snow White and Pinocchio, coupled with splashes of H. It is this peculiar synthesization of interests and influences that fuel their creative fires.

The Hildebrandt's virtuoso ability to capture light and form, their classic compositions, and their sensitve isolation of a moment of action or of serenity, makes these paintings of places, things and events that never were, appear to live. Greg and Tim have developed the use of acrylic paint to new levels. Collector's, students and other artists marvel at the meticulous details.

The Hildebrandts work from their own photographs of models, often creating the costumes themselves out of rags, papier mache, rolls of paper, and things no longer recognizable. Their studios are crammed with capes, helmets, shields, pointed boots, and clay models of creatures too bizarre to describe. The odyssey of the Hildebrandt twins began in Detroit about forty-one years ago.

Greg and Tim started drawing as soon as they were able to control a pencil. Greg and Tim were always inventing their own stories. When they were sixteen they made a science fiction film in their parent's barn, creating their own sets and special effects. After high school, the Brothers attended an art school in Detroit, leaving after six months when they realized they knew as much as the teachers.

They landed twin jobs at the Jim Handy Company where they learned the craft of animation and filmmaking. That experience took them to Europe, Africa and South America. In , the Brothers decided to focus their attention on illustration. Their client list grew quickly from Holt, Reinhart and Winston, to Western Publishing, to Random House, to virtually every major paperback publisher.

Their advertising and publishing illustrations were seen by millions, but it wasn't until they created the first Tolkien Calendar that their names became household words. Today, the Brothers live with their wives and families in New Jersey where they are busy creating materials for a forthcoming motion picture version of Urshurak and are visually developing images for the sequel.

Harry Ekman???? Chicago artist Harry Ekman worked side by side with fellow Sundblom shop veteran Gil Elvgren, developing a lush style in oils uncannily like that of his mentor. His girls have the same fresh, wholesome glow as Elvgren's, and are seen in such typical Elvgren-ish situations as bicycling, wading, and walking the dog. Assisting his colleague in the s, Ekman may even have "ghosted" certain Elvgren signed paintings.

Like Elvgren, Ekman specialized in calendars but also worked in advertising. Jack Henslee? His art has taken him from coast to coast and many a town in-between, but truth be told, he was born and bred a Texan. In fact, except for a ten-year sojourn amid the glitz and glamour of Las Vegas, Fort Worth and its Lone Star ladies have always inveigled him home.

Of course it wasn't always sultry seductresses and coquettish country girls. Jack's romance with art began the first time he was able to hold a pencil. His boyhood was spent admiring professional illustrators like Bob Peak, and as a young artist, Jack found himself inspired and impressed by the painstaking truth of realism and traditional disciplines.

Largely self-taught, and possessed of a rare gift for detail and drive, Jack's early creative endeavors concentrated upon wildlife studies and Native American subjects. As is often the case with aspiring young artists, however, practical distractions developed. The wildlife and Native American art sparked affection within himself, but no true passion.

It was time for a change. In college, Jack had turned his studies toward architecture, convinced by his peers and loved ones that it was impossible to develop a stable income as an artist. Visions of Frank Lloyd Wright aside, Jack's professional focus gradually shifted toward the more reliable and creatively-challenging trade of graphic design.

After establishing himself and honing his craft for two decades in Texas, Jack was lured by the sultry perfume of desert breezes. His creative talents were placed on loan to the posh resorts and swank casinos of Las Vegas where he spent the next ten years as one of the industry's most prolific and sought-after artisans. He reigned at the top of an exclusive and extremely competitive short list of graphic designers, garnering countless Addy Awards for his clients, and acclaim for his firms.

Personal creativity grew increasingly weary of reading aloud from someone else's script, alas, and Jack became disenchanted by the exhaustive pace and repetitive nature of his adopted trade. It was while toiling amid Hilton billboards and Caesar's Palace tournament banners that Jack's soul demanded that it was time to apply his talents to a path of his own desires; it was time to devote himself to what he affectionately refers to as his "pretty ladies.

Jennifer Janesko began drawing and painting female images at a very early age. The art of Janesko gained international recognition with the launch of her official website in and the release of her first book in Playboy magazine featured illustrations by Janesko in the June , March , March and February issues. The artist's work is a fusion of her love for pinup, fashion and glamour.

High contrast and sharp direction are the two elements that form the basis of her art. The artist uses airbrush and paintbrush to create original mixed media paintings. Studies are created using a wide variety of materials including charcoal, pastel, colored pencil, watercolor, ink and graphite on various surfaces. Original paintings are currently sold through the Janesko website and various exhibitions.

The artist also accepts private commissions. Current Janesko projects include creating new original and print images. She is currently branching out in new and exciting directions with a series of images painted on guitars for GZ Guitars, Inc. Future projects will feature the artist's talents and passions in the world of fashion.

Jessica Dougherty of Seattle, Washington U. I am a modern pin-up artist who works mostly with digital painting in Photoshop. I paint pin-ups because I love all things beautiful and enjoy the sense of playful sensuality I found in the old pin-up masters' works such as Elvgren. I love nothing better than a good giggle and eyebrow raise when looking at an artwork and I strive to achieve the same result in my works.

I think it is wonderful to be a woman and celebrate my femininity through my artwork. I believe that what makes a woman beautiful lies not only on the outside, but must also radiate from the inside. Therefore, I find my favorite subjects to paint are those women whose distinct personalities I already know or can easily see in their photos.

Often it is not your run of the mill super model that elicits a physical or emotional response but rather, the woman you see in your local coffee shop. The mere fact that they are "real" and attainable makes their image more seductive and personal. All of the women that I paint, including myself, are women who truly exist in the world looking their best of course.

They are soft and supple, opinionated and bitchy, inviting and compassionate, strong and smart. Most of all, they are not victims but instead, proud and unashamed of their sexuality. To me, that is the ultimate form of feminism. I grew up moving from place to place but am originally from Baton Rouge, Louisiana. I now live with my husband, daughter 6 , son 1 and kitty in Seattle, WA.

I received my B. All my work can be viewed at www. I'm inspired by beautiful women faces especially and sexy poses and attitudes. I also love moody settings and vibrant colors. Art is a beautiful expression of what we see and think about in every day life Completely randomly it seems Ever since I was a small child and a teacher asked me in 2nd grade after I had won all the art contests for the year if I was going to be an artist when I grew up.

I told her no at the time because I didn't think it was actually a real job. I frequently get big ideas and themes that I want to pursue and so I do. I don't think about it too much or I would never produce anything. I think it is wonderful to see masterpieces that inspire you to rise to their levels and abilities. I love to look at something that actually comes from another time and place.

It makes history seem more real and tangible and it is interesting to see how little changes from the past to now when it comes to basic human needs and desires. I usually work with individuals on commissions to create works that are very specific to their needs. I love the delight on a client's face when I'm able to make real a concept they had but couldn't yet see.

Often they say it is better than they had imagined I love working with people on commissions but my favorite is when I get to put together groups of art around a common theme that I have full say on and are completely my inspiration. Joe De Mers specialized in illustration that depicted the modern American girl. He did them not as stereotypes, but as a diverse array of dazzling females sweet, predatory, or sophisticated.

To dress them, he enlisted the fashion expertise of his wife, Janice, so that the styles would not become dated in the six months between painting and publication. John Kacere was an abstract painter from to , but moved to a realistic style; he has been considered a photo-realist or hyper-realist, although he has not adopted the methodology of these schools.

Since , he has concentrated on the subject of woman. Kacere was born in in Walker, Iowa. He showed artistic ability as a child and did his first professional sign-painting job at age Attending art school in Chicago from through , he studied commercial art at first. Exposure to fine art at the Art Institute of Chicago and other museums, however, inspired kacere to shift the direction of his own work to the fine arts.

He also cites Holbein and Ingres as favorite artists. Before he entered the army, Kacere held his first one-man show in Cedar Rapids, Iowa. Stationed in California during the war years, he began to study the work of the European moderns: Picasso, Miro, Klee and Matisse. Upon leaving the army, Kacere studied fine arts at the University of Iowa.

He began his teaching career in at the Umversity of Manitoba in Winnipeg, Canada. Kacere does not consider himself a photo-realist, although his highly detailed work is sometimes called photo-or hyper-realistic. Unlike the photo-realist painters, who work from detail to detail of their canvases, Kacere works on all areas of the canvas at the same time and builds up layers of paint.

Despite criticism from feminists, some of whom have labeled his work sexist, Kacere has continued to specialize in paintings of the female body since He has also shown in Paris and Hamburg, and his work has been enthusiastically received in Europe. It is held in private collections worldwide. Jon Hul was Born in Pittsburgh in , an American pin-up artist known for his photorealistic paintings and drawings of models who have appeared in Playboy magazine.

He grew up in California and Nevada. In , he attended Valley High School where he studied ceramics, oil painting, watercolors, and commercial design. After graduating from Valley High School in , he taught himself how to play drums and played gigs off and on for a few years in a funk band called Soul Connection. He decided to become a full-time artist in and to focus on fatherhood.

He is not a college graduate, and is mainly self-taught. He uses the media of watercolor, acrylic paint, oils, and pencil. Like Zoe Mozert, she captured a fresh, real sensuality in her subjects, and a palpable sense of fun. Like Mozert, she was and probably still is as attractive as a pin-up herself blonde, green-eyed, and frequently barefoot. She is best known as the designer of the Coppertone girl, whose swimming costume is being pulled down by a dog.

She attended the University of Nebraska for two years and then transferred to the Art Institute of Chicago to study commercial art. She then moved to the Stevens-Gould Studio, where she remained for more than a decade. While there, she designed direct mail pin-up brochures for the company, and was eventually given the honor of creating an Artist's Sketch Pad twelve page calendar.

She often used herself as a model. In , Ballantyne painted twelve pin-ups for a calendar published by Shaw-Barton. Upon the calendar's release in , demand was so great that the company reprinted it many times. Ballantyne then went on to paint one of the most famous advertising images ever, when Coppertone suntan lotion asked her to create a billboard image in That image, of a pigtailed girl with her bathing suit being tugged down by a small dog, has become an American icon.

Her daughter Cheri was used as the model for the girl. The vivid oils of advertising artist Ballantyne Coppertone's little girl whose bathing suit is being tugged off by a playful puppy is hers rival those of her one-time instructor Gil Elvgren. While this example clearly echoes Elvgren whom she reportedly assisted and even ghosted , Ballantyne's women were often depicted in a looser, more natural fashion than the studiously coy poses of her male counterparts.

Joyce Ballantyne eventually moved into the realm of portraits and fine art, painting the portraits of scores of entertainment and sports personalities as well as luminaries from the business, social, and academic worlds. In , Ballantyne moved with her husband to Ocala, Florida where she lived until her death on May 15, Jules Erbit???? Little is known about Jules Erbit, but this master of pastels was one of the most prolific pin- up artists from the s into the s.

His lovely women grace calendars, posters and prints, published by C. Bathing-suit beauties are rare among the works of Erbit, who specialized in more sedate, but nonetheless sensual images. Erbit typifies the glamour approach a characteristic Erbit pin-up features a lovely woman in a gown leaning against the rail of a ship, or lounging in a garden.

It's a soft-focus, flowers-in-the-hair world. The artist's Masterful use of pastels for his radiant beauties puts him securely in the camp Rolf Armstrong followers; but, unlike Billy De Vorss, Erbit has his own immediately distinctive style. Where Erbit most resembles Armstrong is in the size of the few known surviving originals massive works, they typically measure 14" by 31".

Munson Knute K. Munson was born in Oslo, Norway, and grew up in Sweden. His family moved to the United States when he was a teenager and settled in Michigan. Munson received his first commission before he ever studied art, when a local doctor hired him to draw medical illustrations for his lectures on surgery. Returning to Chicago, Munson got a job illustrating catalogues for men's clothing and accessories and became on the job friends with Earl Moran.

Loomis later advised Munson to consider advertising art as a career and referred him to Outdoor Advertising Incorporated, where he painted advertisements for Milky Way candy bars. In , Munson received a call from Moran, who was then a staff artist at Brown and Bigelow. Moran told him the firm had liked the samples he sent and that he should "grab paint brushes and get here right away".

Sticking to the pastel medium, Munson replaced Mac Pherson's Petty smooth pin-ups with sharper, crisper lines, though the soft curves of his bright-eyed beauties were definitely appealing. He revised the calendar, applying a vignette technique inspired by Dean Cornwell's work that produced the overall effect of an intimate studio work.

Munson's pastels for the calendar featured healthy, vital women, full of warmth and softness. He continued to produce dozens of pin-up paintings and drawings for the firm until , when he decided to return to Chicago. There he kept busy as a freelancer. Soft-spoken sportsman Munson had been and continued to be a successful commercial artist; over the years his clients included Lucky Strike cigarettes, Kelly-Springfield Tires, U.

Rubber Corporation, and Goodrich Tires. During his years at Brown and Bigelow, Munson had become an accomplished colour photographer, and in his new studio on Chicago's North Side, he added photographic work to his commercial art jobs, continuing to create pretty girl art for various companies. As painted pin-ups went out of vogue, he had the foresight to shift into shooting cheesecake photo layouts for such men's magazines as Modern Man and Figure.

In , Artist and Photographer magazine ran a cover story entitled "K. Munson and His Glamour Queens". Munson, described as "unpretentious, congenial, frank", reflected as follows on the interplay between painting and photography: "The camera becomes one of the painters most useful and important tools. Painting, on the other hand, with its centuries of tradition and its massive accumulation of knowledge has been invaluable to the photographer..

Each has much to offer the other". Not much is known about the "when" of many Munson projects, including Munson himself. But it was friend Earl Moran who gave him the most successful suggestion: glamour pin-ups. Munson's pretty pastel girls graced calendars, blotters, postcards, matchbooks, and promotions. Adding color photography later in his career, his works was published in slicks like Modern Man.

Larry Vincent Garrison - was born in Detroit on June 12, After his discharge from the Marines in , he enrolled in the New England School of Art in Boston, where he studied for three years. After a short stint driving stock cars, he moved to San Diego in and went to work for Rohr Corp. Four years later, he opened a studio near Fifth Avenue and Date Street downtown to devote all his time to painting.

Larry Vincent Garrison followed his muse and became a portrait artist, painting couples, families and children. He made his living as an artist, but after several years he felt restricted by the structured nature of portrait work. Encouraged by fellow artist Julian Ritter, Mr. Garrison switched to painting nudes in He took to the form immediately and spent the next four decades trying to capture the graceful line and subtle tones of the human body.

Works by Mr. Garrison, who painted under the name Vincent, are on display at more than galleries around the world. Vincent, an internationally known artist is a favorite of fine art connoisseurs. His paintings are held in thousands of public and private collections around the world. Long considered to be a modern master following in the traditions of Reuben's and Renoir, he gained inspiration studying the Great Masters in Europe, and with the renowned nude artist Julian Ritter.

Using an ingenious blend of opaque pigments, and transparent glazing on Masonite, he is able to achieve the striking translucent quality of skin tones and their subtleties. This, along with an amazingly delicate balance of color and form exemplify a unique style which is his trademark. While viewing one of Vincent's works you sense the unmatched rapport and intimacy created between model and artist.

The ability to bring out the model's inner beauty with her external femininity provides a challenge to all artists, but one that Vincent has accomplished. He thought painting it was a way to honor women. Garrison's passion. If I paint that tree, then it doesn't matter if the branches go this way or that way. But, everyone knows what a body is supposed to look like.

Garrison painted hundreds of nudes, often completing two a week. He sold most of his work through galleries or a Los Angeles art dealer. He died on April 12, Leo Jansen was a Dutch artist known for his portraits. Born April in Holland, moved to Indonesia when he was ten. There in the tropics, he began his craft by sketching bronze-skinned Indonesian girls for leisure.

He returned to the Netherlands to study at the Academy of Art, to refine his growing mastery of the female figures. Like most continental artists, he gravitated first to Paris and quickly established himself as a portraitist of considerable talent. In , he arrived in New York. Because of the softness and light he infused his portraits, he was chosen by several companies to do commemorative plates.

Jansen is, perhaps, best known throughout the United States and Europe for his mother's day plates and puppies plate series. His Beatles portraits are among the more collectible memmorabilia by fans. He was in great demand in the Los Angeles galleries, but sold primarily through Aaron Brothers. But despite his national reputation as a portrait artist, he refused many of those demand and resumed his childhood love affair of painting nudes.

He then moved to Southern California. For eighteen years, he was commissioned by Playboy Magazine to paint the playmate of the month. In his first six years, he was the artist chosen to paint 58 of the 72 portraits. His works hang in the Hugh Hefner's Playboy corporate headquarters and in the mansion. Rank among the nation's best interpretive artist of nudes, Jansen's canvases hang in collection of a wide range of notables from Jean-Claude Pascal to the late Judy Garland.

He died from an apparent heart attack in December at 50 years of age. Lorenzo Di Mauro He was born and raised in Sicily, in a town at the foot of Mount Etna where, during his high school and university years, he used to ski intensely on. Skiing is one of his strongest passions. He began his career drawing comics and creating illustrations with brushes and airbrush.

In he published my comic entitled Superpipe and an illustration on an Italian issue of Playboy magazine. During the same year he moved from Sicily to Rome and joined the Illustrators Association, which had just born in Italy. For a couple of years he continued to produce comics and illustrations, including the first works on pin-ups, beginning his collaboration as freelance illustrator with Italian subsidiaries of the most important international advertising agencies.

During the s, the advertising market in Italy offered alluring opportunities of financial reward and professional recognition and soon his time was booked up by these publicity work, made mostly of hyperreal illustrations. During the s, his rapport with advertising remained quite intense, but he was no longer having much fun. He was curious about multimedia and he experienced the creation of a number of interactive CD ROM and animations for internet.

In , he went back to one of his first passions: the creation of pin-up paintings. Digital painting, that is, because at that point he had already substituted the brushes with the graphic tablet. He had began to learn how to use the computer during the s, nevertheless continuing to use acrylic colours, brushes, and airbrush as I always had done before.

Only after he found the means and the necessary manual skill to create with digital media almost all that he was creating with the natural media, he began using them professionally. Today his work is almost exclusively in digital, though he works with the old tools for a few traditional illustrations and commissioned works. Lorenzo Sperlonga was born in Rome, Italy.

At the age of 16, he began his career as an illustrator and a graphic designer for advertising agencies and small publishers. In those first few years, he soon realized that painting was his true calling, and little by little he focused his artistic interests entirely towards sci-fi, fantasy and erotica. The year marked the beginning of his career as a pin-up artist: he painted his first cover for SKORPIO - the biggest comics magazine in Italy: since then, many of his magazine covers still appear every year on Italian newsstands.

The public learned very quickly to recognize his style, especially after his paintings were featured in Playboy and Penthouse, in their respective Italian editions. As his covers started to appear in Australia, South America and Eastern Europe, the American market initially opened its doors to Lorenzo in That was the year that prompted Lorenzo to move to Los Angeles, where he began his collaboration with Larry Flynt Publications, as well as many other publishers such as Avalanche, Aeg, Sizzle, Fort Ross.

However, in Lorenzo's words, the "real big one" happened in when he became a cover artist for historical fantasy comics magazine Heavy Metal. Since then, dozens among covers, posters and calendars followed that very special piece. On the wings of that international success, MG soon contacted him again to commission the double cover of the premiere issue of Artcore, the first periodical entirely dedicated to pin-up art.

In , RCI International started a new line of hand-painted sculptures inspired by his masterpieces. In Heavy Metal and Infinity present his new book "Dirty Works": pages of his latest artwork. His work is humorous as he often poses the women with large, out-of place objects and gives the paintings amusing titles. He also often poses his figures to mimic the paintings of the Old Masters.

His work can also be described as Superrealism. Michael Calandra was born in Monroe, Michigan and began painting and drawing at a very early age. No surprise there, all kids draw, but he never stopped! Throughout his teens, he taught hisself line quality and drawing by copying and imitating comic artists. He couldn't wait to scrape up the couple of bucks every month to go grab the latest Creepy, Eerie, and Vampirella.

By the time he entered Monroe County Community College on an art scholarshipin , he had started to focus on portraits, wildlife, and general art technique. Thanks to Gary Wilson and Ted Vassar, he slowly began to round out and discover his own technique, which he still does today. Ted Vassar was a wildlife artist at the time, and being influenced by him.

He began painting wildlife and doing many shows and competitions. In , he recieved a commendation from the State of Michigan for artistic achievement. He competed in the Michigan Wildlife Artist of the Year Competition and placed in the top five in and Despite all the busy activity in the wildlife field, he still had an attatchment to the horror genre.

He continued to draw Frankenstein, Dracula, and assorted zombies. This type of work is at the opposite end of the spectrum from wildlife, but most artists do a variety of subjects. He liked the painting well enough to have it licensed through Sony Merchandising and had it printed as a Limited-Edition. Because of his ventures into the horror art realm, he have had the opportunity to meet many of the horror film heroes that had inspired him in his youth.

Learning the mechanics of the airbrush has taken him into the world of nudes and pin ups. The airbrush lends itself to this genre, and he has no shortage of work or inspiration in this arena. While he is currently working almost exclusively in the horror art, pin up, and fantasy field, he does a lot of architectural commission work. These projects make up the body of his current work.

He really have a great time meeting and working with other artists, models, and photographers. In this painting, a strawberry blonde, Veronica Lake look-a-like torch singer croons out a smoldering song in front of a RCA ribbon microphone as she no doubts enthralls her audience. Dow in St Paul. His early work is comparable in quality to that of the young Gil Elvgren, who had begun to work for Dow in Both enjoyed painting nudes and both employed situation poses a great deal.

Instead of doing pinups and glamour images, however, he specialized in pictures on the theme of safety in which wholesome policemen helped children across the street in suburban settings that came straight out of Norman Rockwell. Artist: Edward D'Ancona.