Julia fernandez pol biography of albert

All Rights Reserved. Digital copying of these images and content strictly prohibited; violators will be subject to the law including the Digital Millennium Copyright Act. Facts about Julia Fernandez Pol. An image of Julia Fernandez Pol. Fantasia, oil on canvas, 49"x65". Previous Next. Artist Statement: My work is driven by interest in creating a world that originates from specific, dynamic forms found universally in nature.

I am fascinated with creating experiences of extreme beauty and visual decadence in order to generate an overwhelming visual impact within our contemporary world. I use excess and opulence to explore the human experiences when confronted with truly unusual and incredible growths, patterns, and structures in the natural world. I create abstract landscapes of microscopic and macroscopic scale, which are developed organically based on ideas of circularity, regeneration, accumulation, and decay.

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Where, when, and under whom did the artist receive education and training? Can you provide all relevant personal background information on the artist? In which Art Organizations was the artist a member? Can you provide a list of all major museum and artist association exhibitions? What awards or other recognition did the artist win?

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Charts on artist trends and performance over time, ready to export. Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. Get the best price for your artwork or collection. We notify you each time your favorite artists feature in an exhibition, auction or the press. Statement Nature, like the artist, has an infinite number of ways of expressing itself.

My work is driven by interest in creating a world that originates from specific, dynamic forms found universally in nature. I am fascinated with creating experiences of extreme beauty and visual decadence in order to generate an overwhelming visual impact within our contemporary world. I use excess and opulence to explore the human experiences when confronted with truly unusual and incredible growths, patterns, and structures in the natural world.

I create abstract landscapes of microscopic and macroscopic scale that are developed organically based on ideas of circularity, regeneration, accumulation, and decay. Can you give us some insight into your art-making process? Do you plan out your designs before you execute them, or is it more of an intuitive process? My process is driven by a combination of experimentation and playful intuition with color and materials.

Julia fernandez pol biography of albert

My work is really about capturing that process and allowing the viewer to travel through that process. That being said I have never been the kind of artist who can plan a painting or drawing out. There is an underlying drawing that presents itself during the process. Inherently some paintings become much more about color accumulation and others about the suspended organic actions and materials.

Your work shows a careful placement of paint and intensive layering. How do you decide what goes on the canvas next? Is there room for mistakes? More than anything I think the mistakes are about being open to that unknown creating challenges and discovering new relationships. Is this paint squeezed directly out of the tube? When did you arrive at the idea to use such heavy impasto?

I think I used to be a little shy, doubtful and judgmental about it. During my time at Washington University in St. Louis, was when I first started using syringes to apply paint in more sculptural ways and that continued through grad school at Boston University. The paint acted more like bacterial growth on the paintings back then.