History of ragtime music cultural history

My research largely ends with the entrance of the U. Black musicians, like composer James Reese Europe, who worked with white ragtime dancers Irene and Vernon Castle, volunteered for the U. Following the war, these musicians provided American popular culture to Germany, Russia and Scandinavia. World War I, however, did not bring the hoped-for racial equity that Black soldiers and their families at home sought through enlisting.

And the Roaring Twenties, with its new sounds and dances, further overshadowed their earlier dance and music contributions as more white performers took up jazz and its dances. Ragtime gave rise to the sounds of the 20th century. Cook October 29, Erik Satie , Arthur Honegger , Darius Milhaud , and the other members of Les Six in Paris never made any secret of their sympathy for ragtime, which is sometimes evident in their works.

Consider, in particular, the ballet of Satie, Parade Ragtime du Paquebot , and La Mort de Monsieur Mouche , an overture for piano for a drama in three acts, composed in the early s in memory of his friend J. Contamine de Latour. In the American cakewalk was very popular in Paris and Satie two years later wrote two rags, La Diva de l'empire and Piccadilly.

Despite the two Anglo-Saxon settings, the tracks appear American-inspired. La Diva de l'empire , a march for piano soloist, was written for Paulette Darty and initially bore the title Stand-Walk Marche ; it was later subtitled Intermezzo Americain when Rouarts-Lerolle reprinted it in Piccadilly , another march, was initially titled The Transatlantique ; it presented a stereotypical wealthy American heir sailing on an ocean liner on the New York—Europe route, going to trade his fortune for an aristocratic title in Europe.

Even the Swiss composer Honegger wrote works in which the influence of African American music is pretty obvious. Igor Stravinsky wrote a solo piano work called Piano-Rag-Music in and also included a rag in his theater piece L'Histoire du soldat In the early s, many jazz bands began to include ragtime in their repertoire, and as early as 78 rpm records of Joplin's compositions were produced.

Bowman 's " Twelfth Street Rag. A more significant revival occurred in the s. A wider variety of ragtime styles of the past were made available on records, and new rags were composed, published, and recorded. Much of the ragtime recorded in this period is presented in a light-hearted novelty style, looked to with nostalgia as the product of a supposedly more innocent time.

A number of popular recordings featured " prepared pianos ", playing rags on pianos with tacks on the hammers and the instrument deliberately somewhat out of tune, supposedly to simulate the sound of a piano in an old honky tonk. Four events brought forward a different kind of ragtime revival in the s. Finally, with the release of the film The Sting in , which had a Marvin Hamlisch soundtrack of Joplin rags, ragtime was brought to a wide audience.

In , an adaption of E. Doctorow 's historical novel Ragtime was released on screen. Randy Newman composed its music score, which was all original. In , a stage version of Ragtime was produced on Broadway. With music by Stephen Flaherty and lyrics by Lynn Ahrens, the show featured several rags as well as songs in other musical styles. Contents move to sidebar hide.

Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. Music genre. This article is about ragtime music. For other uses, see Ragtime disambiguation. Cakewalks folk minstrel show marches classical blues. Stride novelty piano jazz honky tonk classic rag. Maple Leaf Rag.

Etymology [ edit ]. History [ edit ]. Origins [ edit ]. The heyday of ragtime [ edit ]. Revivals [ edit ]. Historical context [ edit ]. Musical form [ edit ]. Related forms and styles [ edit ]. Spaghetti Rag , by Lyons and Yosco. American ragtime composers [ edit ]. Main article: List of ragtime composers. Influence on European composers [ edit ].

See also [ edit ]. References [ edit ]. The Grove Music Dictionary. Oxford University Press. ISBN Retrieved June 29, Archived from the original on April 26, Retrieved June 17, The Black Perspective in Music. ISSN JSTOR Hal Leonard. Parlor Songs. Archived from the original on December 11, Retrieved December 11, Columbus, The Musical Crossroads.

History of ragtime music cultural history

New York Public Library. Penguin Books. University of Mississippi. Retrieved January 21, Duke University Press. Retrieved January 22, New York Age. April 3, Century House. Pan Macmillan. British Dance Bands on Record to and Supplement. General Gramophone Publications. Homewood Press. Originally published, July 30, ; site accessed, July, Instruments Piano.

Berlin, Edward A. Ragtime: A Musical and Cultural History. Berkeley: University of California Press, Harer, Ingeborg. Mellonee V. Burnim and Portia K. Maultsby eds New York: Routledge Press, ,